The Reader is ultimately compelling
Danielle Fielder
Bernhard Schlink's novel The Reader is a stark tale of a young man's life in post-war Germany. As you can imagine, these elements do not make for a cheerful story. It is, however, one that lingers in the mind.
The narrator, a fifteen year old boy named Micheal Berg, becomes ill one day on
the way home from school.
He is rescued by Hanna, an older woman who eventually seduces him. The
relationship remains essentially a sexual one, since he knows nothing about her, and she
chooses to reveal nothing of her past or present life.
She does, though, seem odd to Micheal at times, as she is often silent for long
periods and becomes easily frustrated. He struggles to understand her unusual behaviour,
but is nonetheless captivated by her spirit and her passion. She becomes the centre of his
adolescent world.
One day, Hanna simply disappears. When he next sees her, ten years have passed,
and he is a law student participating in a seminar on war crimes. Hanna is a defendant in a
trial of concentration camp guards, charged with crimes against the inmates of Auschwitz.
Michael soon becomes wrapped up in the trial, as he has been unable to forget this
enigmatic woman and the mystery of her disappearance.
As he sits through each day of the trial, he learns of Hannah's past, of her service
with the SS during the war and of the horrible crime for which she cannot answer. Her
unwillingness to defend herself on the stand causes Micheal to question her true
motivation, and through his memories and the accounts of her past, he discovers a secret
she has been guarding all of her life.
The theme of obsession provides the underlying motif to the story. In his early
encounters with Hanna, Michael becomes captivated by the smell of her skin. The author
comes back to this theme again and again, showing how our senses can record sensations
that remain with us throughout our lives, causing us to recall people, places, and events.
Michael is obsessed with Hanna's physicality even while he is disturbed by the revelations
about her past.
Schlink creates a unique story as he interweaves history, morality, and mystery into
what seems to at first to be a simple love story.
We see how one young man's life is changed forever by a woman whose life
becomes closely intertwined with his. Michael is forced to make a moral judgment on
Hanna, whose only real crime may be her inability to admit to her true self.
The author sets this story against the historical background of the war crime trials,
causing the reader to examine the moral setting.
While the male coming-of-age tale is not a new one, the character of Michael is
constructed with great care, and his struggle for understanding throughout the story is real
and profound.
As in the case of many European novels, The Reader tends to be rather dark at
times. Although portions of the novel seem slow, many of the chapters are quite short,
implying that the author was trying to encapsulate a single idea within each chapter. My
initial impression was that the book was written from a rather male point of view -
especially in the 'seduction of young boy by older woman' scenario - but on reflection, I
feel it has more of a universal appeal.
The emotions addressed are so real that you come to suspect the novel may be
more than a little autobiographical.
In its evocation of time, place and emotion, The Reader confronts its readers with
both an unusual love story and a tale of moral dilemma.
While it took two readings for me to appreciate it, in the end I enjoyed it. It is
neither a cheerful story nor one that is easily forgotten, but one that is ultimately
compelling.